Monthly Archive for May, 2006

Hard < Soft redux

Soft Synths are still bloody great.

I mentioned a while back that I’ve been assembling my sound-arsenal for rehearsals – and (gulp) gigs. The one sound that was eluding me was a simple piano. I wouldn’t have thought it would actually be that hard to find. I tried a bucketload of different dedicated VSTi soft synths and none of them quite hit the spot (although MDA’s Piano was starting to get close). Next I turned to the sf2 realm – and while there is a lot out there, a great deal of it is utter pants.

I tried dozens of soundfonts with names like “Best ever grand piano” and “Steinway high-quality multisample” (perhaps “a quarter tone out of tune” wasn’t working for them), but ultimately the one that worked for me was one that had been sampled from a Roland XP-30. Who’d have thought? So my sound gathering is near-complete. Tonight I’m going to have a play with Crystal, which I’ve heard fine things about, and if that works, it’s a thing that’s done like a done thing. Then it’s time to start thinking about the guitar. Gah…

God, what a boring post. I can actually feel your eyes glazing over as you read it. I’m sorry.

Spfghdys

We had another T3E rehearsal this weekend gone. It’s starting to sound something like a band now – as opposed to the first one!

I am utterly daunted by the prospect of setting up my equipment for each gig. Not that any of it is terribly complicated on its own, but the sheer combination of devices. We’ve been silly enough to record an album that’s layered and fairly keyboard-heavy. Now I have to play all the bloody stuff, and sing at the same time. A challenge :)

Whose Idea was this?

Hair today

The Third Ending are having group photos taken this weekend, in preparation for the mighty website redesign, album launch, and flurry of promos. So I thought I should treat myself to a haircut, having been a bit shaggy of late. Being the slightly self-conscious type that I am (an excellent trait in a lead singer, I’m told) I’ve elected not to share any sort of before and after shots with you, but rather to illustrate using allegorical pictures of household pets. Thus:


Before

After

I’m hoping it grows out a bit before Sunday….

Morseimonial

A night to myself!

Clare’s out tonight, her brother’s down from Melbourne, and so she’s staying with her parents tonight. Her Mum likes the feeling of having her whole brood at home, which is entirely fair enough I reckon. It’s Mothers’ Day this Sunday down here in OZ, and so if she wants the family in the family home, then she gets it as far as I’m concerned. My Mum’s not so much of a stickler for tradition – as long as I turn up to lunch tomorrow I’m cool bananas. But that is all somewhat tangential to the point of this post.

With Clare gone, and my essay well and truly in the constructive phase (I did promise myself I’d get to a certain point before I started slacking off) I am sitting, enjoying a glass of white wine x, and catching up on my DVDs. What DVD should catch my eye this evening? Why Neal Morse’s Testimony, that’s what.

That’s which?

Damn, I’m an english major for heaven’s sake (possibly twice), I should know which is what…. or what is which.

But anyway, that is what I’m watching, and it’s very good. I know Mr. Morse has copped a significant amount of criticism since his turn toward Christian music, and I would be lying if I said I didn’t miss his secular music and contribution to Spock’s Beard, but I can’t bring myself to join the nay-sayer crowd.

Now, I’m certainly no Christian. If I had to tick any of the boxes, it would be the one marked “agnostic”. It’s the typical fence-sitter’s position I guess. Nevertheless, that’s me. But watching Neal, I almost wish I could share his committment.  It certainly makes him an easy target for the sceptics and shit-flingers, and I can see where they’re coming from. But to have that steadfast a belief in anything must be a pretty nice thing to experience. And frankly, as long as he’s creating and releasing fantasic music, I don’t care what the lyrics are, so long as they are delivered with some conviction.

Conspire… acy. Conspiracy!

It’s funny, the way musical ideas seem to conspire to arrive at the least convenient time they can arrange. Are they doing it on purpose? I’m picturing these little snippets of inspiration floating around on the ether, just keeping an eye on me, shooting the breeze, until the time is right.

“Hey riff…”
“Yes, interesting chord progression?”
“He’s working on that university assignment”
“What, you mean that one that had him in tears yesterday, emailing his tutor and threatening to quit uni and go back to work… again?”
“Yeah… he looks like he’s really getting his head around it now. Good job too, it’s due on Monday.”
“I’m going in.”

Meanwhile I’m typing away, constructing a detailed and ingenious argument on the extent to which Robert Dessaix’s Night Letters is a novel about art, and its ability to allow one to glimpse life in non-linear fashion (as opposed to just being a good read – which it is by the way), and all of a sudden Clare is glaring at me because I’ve been humming a little tune for the last thirty seconds and she’s trying to study too.

So I realise that the tune is actually not whatever I was halfway through listening to on the way home yesterday, and is infact somewhere near original (I once rushed home from a long walk in order to record what later turned out to be a Spice Girls song. Mortifyingly embarrassing. Remind me not to tell anyone about that). A mad dash to the other end of the house ensues, I fire up the PC, open Cubase, hit record, remember that I pulled the soundcard out last week to build up my live-rig PC and haven’t bought a second one yet, power down the PC, try and find my voice recorder, fail to find my voice recorder, grab a paper and pencil, realise the pencil is broken, hunt for my pencil sharpener, fail to find my pencil sharpener but in the process stumble across my voice recorder, switch on the voice recorder only to find the battery is flat, find another non-broken but extremely blunt pencil, and write down this:

What *is* this?!

What is that?! Honestly? I was humming it not ten minutes ago, and I couldn’t tell you now. It seems to be in A, and have twelve notes per line, but is that a chord progression over 12 bars, or a bar of 12 beats? I don’t know.
So what’s the moral of the story? I’m vascillating between “AAA batteries are not really that expensive when you think about it, in the general scheme of things”, or maybe “stop writing everything in C major and A minor – the black notes won’t kill you, you know”. I know I’ve completely lost my train of thought on that assignment though…. is it too late to withdraw from the unit?

Hard < Soft

Soft synths are bloody great.

I’ve been sampling some of the immense variety of free VST instruments that are out there, and I can confidently proclaim that while some of them are very average indeed, more than a few are rather excellent indeed. I’ve been trying to build up a live-rig of VSTs for the forthcoming T3E shows, and being as I’m a cheap bastard^H^H^H^H^H^H^H^H^H fiscally challenged, I’ve been trying to do so for free (and without donning my eye patch and saying things like “avast” and “doubloons”).

I can proudly proclaim the mission is accomplished. Ive covered B3, Piano, Mellotron, Wurly, Rhodes, Moog, a nice little WAV file player for triggering sampled sounds, and a useful arsenal of effects, all for zero dollars. And they actually sound good!

Freeware VST programmers of the world, I salute you…